|
|
|
|
|
|
|
é?° t'arrive sans crier gare Au milieu d'une heure incolore
It happens to you without a warning
In the middle on a colourless hour Un geste, une odeur, un regard Qui comme dé??hire ton dé??or
A gesture, a smell, a look
Which like tear off your decor Tout â???????n coup ce coeur qui t'avait presque oubliâ???????¸Se pointe â???????n ta porte et se remet â???????n cogner
Suddenly your heart who almost forgot you
Is showing itself at your door and restart to knock Attention, le ballet va commencer
Attention, the ballet is about to begin Tu comprends pas trop c'qui (1) t'arrive Tu crois d'abord â???????n une erreur
You don't know what's happening to you
You first thing to an error Tu l'é?¢ites et lui te devine Entre le dé??ir et la peur
You avoid her and she guesses you
Between pleasure and pain Tu t'entends lui dire des phrases sans aucun sens Qu'importe les mots n'ont plus d'importance
You hear yourself tell her empty phrases
Whatever the words have no more importance Car le ballet a commencâ???????¸
Because the ballet has begun Il met ses plus beaux atours et du miel sur sa voix Toi tu te fais velours et tes bijoux brillent sur toi Il te dit poé??es et ré??es de lointains voyages Tu ré??onds Florence, peinture, impeccables images
She's at her best and put honey on her voice
You you make yourself velvet and your jewelry is shining on you
She tells you poetry and dreams of far away trips
You answer Florence, painting, perfect images Dames et cavaliers, avancez
Ladies and knights, step ahead Un coup d'oeil â???????n son dos, ses hanches, quand s'efface le galantin Un regard quand elle se penche et laisse deviner un sein Elle sait dejâ???????n ses mains, les contours de sa bouche Le cambrâ???????¸ de ses reins, qu'elle a notâ???????¸ en douce
One look at her back, her hips when the galant go away
A look when she bends over and let show a breast
She already knows his hands, the outline of his lips
The curve of his back that she noted gently Car le ballet va s'animer
Because the ballet will animate itself Il a su les codes et donnâ???????¸ les bons mots de passe Encore un peu d'alcool et que tombent les cuirasses Livré??s les clé?? des corps enfin les peaux s'embrassent Et le temps s'arré??e tant que dure la gré??e
He known the codes and gave the right passwords
A little more alcohol and cuirasses to fall
Body keys delivered finally the skins kiss
And the time stops while grace last Car le ballet, est bienté? terminâ???????¸Et la vraie vie, va commencer Et oui - la vraie vie -
Because the ballet is almost over
And the real live will begin
Yeah - the real life - (1) c'qui: Contraction of "ce qui", what is
|
|
Wszelkie prawa do prezentowanych tekstów posiadają ich autorzy.
Tekst jest prezentowany wyłącznie do celów edukacyjnych.
dodał: Administrator
czytano: 161 razy
|
Fragment na dzis:
Marilyn Manson : Apple of Sodom
I found the center of fruit is late,
It is the center of truth today,
Cut the apple in two,
Oh, I pray it isn't true,
I found the center of fruit is late,
Is the center of truth today,
I cut the apple in two,
Oh, I pray it isn't true-
|
,
I've got something you can never eat,
I've got something you can never eat,
I've got something you can never eat,
I've got something you can never eat,
I drained my heart and burn my soul,
I trimmed the cord to stop my growth
I pra-
|
y to die in space,
to cover me in snow,
to cover me in snow,
cover me in snow,
I'm dying, I hope you're dying too,
cover me in snow,
I'm dying, I hope you're dying too,
I'm dying, I hope you're dying too,
I'm dying, I hope y....
|
|
|
|