|
|
|
|
|
|
|
ça t'arrive sans crier gare Au milieu d'une heure incolore
(It happens to you without a warning In the middle on a colourless hour)
Un geste, une odeur, un regard Qui comme d¨?chire ton d¨?cor
(A gesture, a smell, a look Which like tear off your decor)
Tout ¨¤ coup ce coeur qui t'avait presque oubli¨? Se pointe ¨¤ ta porte et se remet ¨¤ cogner
(Suddenly your heart who almost forgot you Is showing itself at your door and restart to knock)
Attention, le ballet va commencer
(Attention, the ballet is about to begin)
Tu comprends pas trop c'qui (1) t'arrive Tu crois d'abord ¨¤ une erreur
(You don't know what's happening to you You first thing to an error)
Tu l'¨?vites et lui te devine Entre le d¨?sir et la peur
(You avoid her and she guesses you Between pleasure and pain)
Tu t'entends lui dire des phrases sans aucun sens Qu'importe les mots n'ont plus d'importance
(You hear yourself tell her empty phrases Whatever the words have no more importance)
Car le ballet a commenc¨?
(Because the ballet has begun)
Il met ses plus beaux atours et du miel sur sa voix Toi tu te fais velours et tes bijoux brillent sur toi Il te dit po¨¨mes et r¨?ves de lointains voyages Tu r¨?ponds Florence, peinture, impeccables images
(She's at her best and put honey on her voice You you make yourself velvet and your jewelry is shining on you She tells you poetry and dreams of far away trips You answer Florence, painting, perfect images)
Dames et cavaliers, avancez
(Ladies and knights, step ahead)
Un coup d'oeil ¨¤ son dos, ses hanches, quand s'efface le galantin Un regard quand elle se penche et laisse deviner un sein Elle sait dej¨¤ ses mains, les contours de sa bouche Le cambr¨? de ses reins, qu'elle a not¨? en douce
(One look at her back, her hips when the galant go away A look when she bends over and let show a breast She already knows his hands, the outline of his lips The curve of his back that she noted gently)
Car le ballet va s'animer
(Because the ballet will animate itself)
Il a su les codes et donn¨? les bons mots de passe Encore un peu d'alcool et que tombent les cuirasses Livr¨?es les cl¨?s des corps enfin les peaux s'embrassent Et le temps s'arr¨?te tant que dure la grâce
(He known the codes and gave the right passwords A little more alcohol and cuirasses to fall Body keys delivered finally the skins kiss And the time stops while grace last)
Car le ballet, est bientôt termin¨? Et la vraie vie, va commencer Et oui - la vraie vie -
(Because the ballet is almost over And the real live will begin Yeah - the real life)
|
|
Wszelkie prawa do prezentowanych tekstów posiadają ich autorzy.
Tekst jest prezentowany wyłącznie do celów edukacyjnych.
dodał: Administrator
czytano: 254 razy
|
Fragment na dzis:
Marilyn Manson : Apple of Sodom
I found the center of fruit is late,
It is the center of truth today,
Cut the apple in two,
Oh, I pray it isn't true,
I found the center of fruit is late,
Is the center of truth today,
I cut the apple in two,
Oh, I pray it isn't true-
|
,
I've got something you can never eat,
I've got something you can never eat,
I've got something you can never eat,
I've got something you can never eat,
I drained my heart and burn my soul,
I trimmed the cord to stop my growth
I pra-
|
y to die in space,
to cover me in snow,
to cover me in snow,
cover me in snow,
I'm dying, I hope you're dying too,
cover me in snow,
I'm dying, I hope you're dying too,
I'm dying, I hope you're dying too,
I'm dying, I hope y....
|
|
|
|